Rees Aerials, LLC is not a "kid with a drone". Our pilots are actually FAA pilots, and all of them possess the FAA Part 107 Remote Pilot's License as well. We utilize high end, professional cinematic drones to bring you the best possible footage for your post production needs.
In addition to offering new and improved cameras, we are now offering the ability to take your own studio camera work to the skies as well. We now have a DJI Matrice 600, that will lift some of the most popular cameras on the market, such as the RED EPIC / Dragon / Weapon so that your shot sequences match exactly what you desire in post production. This rig is as high end as it gets in the aerial film industry without using a manned aircraft. With redundant flight controls, navigation, propulsion and power, you can rest assured that your camera equipment is safe, even in the event of an in-flight emergency. With all of the redundancy built in, we are able to take a severely compromised aircraft, and land it safely ensuring the safety of those on your film crew as well as the expensive equipment that you rely on.
If you want to utilize our cameras, we offer the following:
We are now able to capture RAW footage up to 5.2K in CinemaDNG or ApplePro Res to suit all of your post-production needs. Whatever the format is that you desire, we have the platform to accomplish it:
CinemaDNG
5.2K (5280*2972, 16:9) 30fps 12bit, 4.2Gbps
4K (4096*2160, 17:9) 60fps 10bit, 4.0Gbps
H.264/H.265
3DLUT color management technology
H.264/AVC BP/MP/HP Level 5.1: 4K 60fps, 100Mbps;
H.265 MP Level 5.1: 4K 30fps, 100Mbps
Apple ProRes
5.2K (5280*2160, 2.4:1) 30fps (422 HQ)
4K (3840*2160, 16:9) 30fps (4444 XQ, no alpha)
In addition to offering new and improved cameras, we are now offering the ability to take your own studio camera work to the skies as well. We now have a DJI Matrice 600, that will lift some of the most popular cameras on the market, such as the #RED #EPIC.
In addition to offering new and improved cameras, we are now offering the ability to take your own studio camera work to the skies as well. We now have a DJI Matrice 600, that will lift some of the most popular cameras on the market, such as the RED EPIC / Dragon / Weapon so that your shot sequences match exactly what you desire in post production. This rig is as high end as it gets in the aerial film industry without using a manned aircraft. With redundant flight controls, navigation, propulsion and power, you can rest assured that your camera equipment is safe, even in the event of an in-flight emergency. With all of the redundancy built in, we are able to take a severely compromised aircraft, and land it safely ensuring the safety of those on your film crew as well as the expensive equipment that you rely on.
If you want to utilize our cameras, we offer the following:
We are now able to capture RAW footage up to 5.2K in CinemaDNG or ApplePro Res to suit all of your post-production needs. Whatever the format is that you desire, we have the platform to accomplish it:
CinemaDNG
5.2K (5280*2972, 16:9) 30fps 12bit, 4.2Gbps
4K (4096*2160, 17:9) 60fps 10bit, 4.0Gbps
H.264/H.265
3DLUT color management technology
H.264/AVC BP/MP/HP Level 5.1: 4K 60fps, 100Mbps;
H.265 MP Level 5.1: 4K 30fps, 100Mbps
Apple ProRes
5.2K (5280*2160, 2.4:1) 30fps (422 HQ)
4K (3840*2160, 16:9) 30fps (4444 XQ, no alpha)
In addition to offering new and improved cameras, we are now offering the ability to take your own studio camera work to the skies as well. We now have a DJI Matrice 600, that will lift some of the most popular cameras on the market, such as the #RED #EPIC.
Reviews